Postautor: remi » śr sie 12, 2015 10:04 pm
Bo ja mam piątek cały dzień mega zajęty więc bym to już teraz dorwał, no i się przyznam, że opinie typu "energiczny", "na miarę Wicker Mana" mnie pozytywnie nastawiły. Albo to:
Like an "El Dorado" (The Final Frontier), "Speed Of Light" has everything a potential single, starting foot to the floor in a rock'n'roll vein with the prominence of a hot guitar. The catchy riff main guide this boisterous and joyful piece with a more conventional but proving effective approach pace with an impeccable production always signed Kevin Shirley, and consistent with the post-2000 period of the group. In this case music shows great immediacy, probably due to how much of the songs were conceived, as explained by Steve Harris in Kerrang magazine, composed in studio, repeated and "directly recorded as an they were still fresh. " Dickinson provides vocals, although the refrain of abundance repeatedly raises some small eyebrow frowns. The guitar solos in turn are linked course, the opportunity to linger a moment on one of the major innovations of the sixteenth installment.
Nothing new that the combo offers long sequences playful and nifty three guitars is obvious, but this game in the triangle between Adrian Smith and Janick Gers Dave Murray, who is a few years now the frame of the house Maiden, here reaches a new high. If music of the album credits as often show a predominance of Steve Harris, Bruce Dickinson and Adrian Smith in the composition, the notes shred of Gers and the most emotional grain Murray are indeed ubiquitous yet when the three friends of the six strings "jamment" together. The musicians each with their distinctive style to share more space than they once did, although Smith's guitar seems to remain predominant, with phrasing which he alone has the secret.